This sculptural pair of wall lamps evokes the quiet complexity of light shaped through glass. Designed by Toni Zuccheri in the 1970s and attributed to either VeArt or Venini, they reflect the experimental elegance of Venetian lighting design during that period.

Design

Each applique is composed of a single slab of thick, hand-blown Murano glass, mounted to a white lacquered metal frame. The glass is subtly tinted in amethyst, its colour achieved by adding manganese oxides during the blowing process. The surface is shaped with organic, wave-like curves, likely formed by hand with wooden paddles while still molten, creating a dynamic interplay between transparency and reflection. Rather than mould-blown, the form appears to be hot-worked and cold-finished, with bolt holes later ground into place. Light diffuses softly through the glass, its curved relief casting gentle shadows against the wall. These characteristics suggest Zuccheri’s sensitivity to both material and atmosphere, echoing his broader body of work which often drew inspiration from natural textures and zoological form.

While commonly associated with Venini, Zuccheri also produced works for VeArt in the same era. The absence of a visible maker’s mark leaves room for interpretation, yet the sculptural quality, mounting method, and glass handling are consistent with designs from either atelier.

Condition

Both lamps are in good condition with light signs of age. Some patina is visible on the bolts and faint oxidation to the mounting plates.